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Jan 19·edited Jan 19

The discussion about station consolidation diminishing the influence of DJs and the organic discoverability of music was especially interesting. I'd bet that a lot of us between 35-50 noticed that period in 1996-2000 when radio changed from diverse to uniform. I'd bet that few of us know why.

Perhaps an interesting thought: Napster thrived not ONLY because it offered a better value, but because it offered suburban kids an avenue to finding more novel music. That was one of my motivations. I discovered tons of bands that played in Pennsylvania bars or Georgian bluegrass festivals just by downloading live recordings and checking them out. And because I had time at that age, I found a lot of great stuff.

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No doubt! There was so much music that disappeared off of shelves, figuratively, because there was also a shift to the Best Buy model of sales, which was the top albums plus classics. Mid list bands were practically invisible. By 1998 I had to special order all the CDs I was interested in because they weren't at the stores anymore, and it was things like Motorhead!

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I remember this showed up on my feed and I ignored it. I'll watch it now. I noticed that music became really uniform sometime after the late nineties, though I did like a lot of the stuff that came out in 00s, the fun ended around 2010. The best place to find new music is on your own now on streaming services.

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Was hoping you'd tackle this story from a music-centered approach, and you did not disappoint!

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